« paloma chair »

June 16th, 2013

paloma chair, after

mrs. jones’s summer interns have been hard at work helping her get caught up on projects at the studio…thank goodness!  here’s a chair that was treated to a makeover with annie sloan’s decorative chalk paint® in paloma.  the before:

chair, before

charlie added lots of texture as he laid on two coats of the paint…great brushstrokes that caught the dark wax when we applied it.

paloma chair detail
side detail of chair

the finishing touches were gilding wax and a seat re-covered in annie’s normandie toile (which in real life is a much more
beautiful blend with paloma…the photos don’t do the fabric justice.)

gilded touches

(if you’re interested in annie sloan’s new fabrics, just come by the studio to take a peek.  we have samples on display, and can have your special-ordered yardage within a few days.)

front detail of chair

charlie thinks that normandie is my favorite fabric because it has an adorable goat in the design…there may be something to that.  i do so love a goat.

full frontal

 


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« from glum to glam »

January 13th, 2013

this cute but time-worn nightstand is making the transition from a grandmother’s attic to a a very stylish 9-year-old girl’s room.  before any of you mahogany/walnut/cherry-lovers out there rush to judge mrs. jones, please keep in mind that this piece was in dire need of refinishing…and isn’t it better to have it back in use, rather than hidden away in a hot, humid attic?  i truly think so…but know that there will be other opinions.  (which i hope will be kindly expressed.)  all that aside, here is the before:

my lovely client requested a high-gloss silver finish to work with lillian’s grown-up new lilac and gray bedroom scheme.  (on-site photos with the cute back-ordered crystal knobs have been promised.)  in the meantime, here is the pre-delivery after:

this piece required a little sanding to smooth out the surface.  as you know, with a glossy finish, the smallest imperfections are magnified…that little speck of something or another can end up looking like a boulder.  so, sanding and tacking away all the dust and grit is really important.

i primed first with stix, a great water-based undercoat, and then painted on two coats of modern masters’ metallic in silver.

after another sanding and wipe-down, two coats of high-gloss polyurethane went on, for the depth, shine, and durability that lillian’s mom asked for.  the poly does have an amber tone to it (which in some environments may deepen over time) but i really like the way it mellows out the silver and warms it up a little.  it’s tricky to use this topcoat over light paint colors, but over metallics it gives a nice softening effect.  i think that the brighter look really plays up the cute details on this piece.


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« sneakity-peek-peeks »

January 3rd, 2013

previews of a few of the custom pieces in the works right now (though the final touches aren’t on yet, so i hope you’ll check back for more details soon.)

here is the before of a set of chinoiserie nightstands and dressers which my lovely client snagged at an estate sale in all their 1970′s yellow-and-red faux bamboo glory:

she asked to have them done in white high-gloss, which calls for only one thing: hollandlac brilliant.

which means, of course, an excellent excuse for a phone conversation with my colorist crush, emmett fiore at fine paints of europe.  {sigh.}  he is a smooth-color-talking hugely-hue-knowledgeable dreamboat, and i adore him.  in just a few days, a litre of her choice of benjamin moore’s white dove was on the doorstep, mixed in the only paint i know that you have to touch to see that it’s not still wet.  after no small amount of prep work (sanding, removing some yucky old sticky estate-sale stuff, filling grain with putty, using an enamel underbody, etc.) here is a glimpse…

my client has an excellent eye – these are going to be knockout in her guest room.

the next project is a rustic, colorful re-do of this cute corner cupboard…before:

…this lovely client wanted to keep the inside the same aged green/blue, and to use a splash of it on the outside, too, with terra-cotta for most of the exterior.  (the fabulous lindley martens assisted in the scheme.)  kim (one of mrs. jones’s very own mixologists, in case you haven’t met kim & jessica yet) matched exactly what they were looking for in annie sloan’s wonderful chalk paint® , which was then topped with annie’s dark wax for age and crustiness, like so:

the final piece on deck right now is a “granny’s attic” special, being glammed up for a teenaged girl’s room…before:

here is a peek at the after:

she chose a glossy silver finish, which i’ve done here with modern masters’ silver (over a prepped surface, primed with stix) and then benjamin moore’s high-gloss polyurethane as a topcoat.  (so, yes, you really could bounce a basketball on it.)

all the final photos, plus tutorials on both of the high-gloss finishes shown here are coming shortly – please drop by again.


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« wash & wax, please »

December 15th, 2012

my lovely clients had this pair of nightstands made a few years ago.  the finish was fantastic, but in the wrong color scheme for their current look, and they were ready for something new.   hope wilkerson is working with them on a brilliant re-fresh and renovation, and their new master suite will be much more modern, lighter and cooler, in shades of white and gray.

here is the circa-1988 before:

and the beginning of the after:

the finish was done using chalk paint™ and wax by annie sloan.   the base coat is pure white, with a wash of paris grey.  how to do a wash, you ask?  it is so easy with chalk paint™…it’s one of the many things it does that alkyd and latex paints can’t do.  (and something you’ll learn at a chalk paint™ workshop.*)

my favorite of annie’s three wash methods is to take a brush dampened with water, dip it into the paint, brush it quickly across the surface, then wipe back gently with a clean cloth.  the wash settles into any texture.  you can tweak the wash endlessly, spritzing it with water, using a damp cloth to remove more, brushing again to add back in…just get it the way you like it, and then step away for a little while.

after the paint is good and dry, seal the surface with annie’s lovely clear soft wax.  (if you haven’t done this before, it’s a simple process: apply the wax with a brush or cloth to one section of your piece at a time, working it into the paint, and then wipe back the excess right away.)

at this point, my lovely client wanted more depth to the finish, and so i added a little paris grey and a small dollop of graphite chalk paint to the clear wax, mixing it in thoroughly.  using a firm-bristled waxing brush, i applied the tinted wax, again wiping back the excess.  after an overnight dry, it buffed out to a beautiful gleam.

the final touch my client requested was a bit of tailored detailing with pewter gilding wax.  using low-tack painter’s tape to create the “boxes”, i used my finger and a soft cloth to add the lined details.

the nightstands still await their new chunky, square crystal pulls, and their new room is not finished yet, so final photos will not be ready until after the holidays…i hope you’ll check back in a few weeks to see all the details.

{so many different color combinations make for a beautiful washed look…come by and see our samples sometime…or better yet, come to a workshop and create your own.}

*if you can’t make it to a workshop at me & mrs. jones in memphis (just click on “studio” above to see what’s coming up), please find your nearest chalk paint™ stockist at annie sloan unfolded, and explore all sorts of possibilities.


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« nesting tables, all lined up »

November 15th, 2012

this sweet old pair of nesting tables had been in a friend’s storage unit for a long time, and just needed a good home – which mrs. jones was oh-so-happy to provide.  here they are, before:

the back leg on the bigger table had been broken and mended and broken again, and they were water-stained and tired.  still, the set is elegant and has lots of living left to do.

i have been feeling a little nostalgic for a favorite table done a while back, and wanted to repeat tobi’s sharp color combination…something about the inlaid lining details on these reminded me of that piece (which i adored, despite the tedious taping.)  i wanted to honor that original detail here, and not just cover it up.

the easiest, most efficient way to get these tables back into service was with chalk paint™ and soft wax.   after pointing kim towards benjamin moore’s seashell, she (being the brilliant mixologist that she is – she and jessica both have such an incredible knack for combining colors, it’s crazy…come by the studio and see them anytime for help, by the way!) concocted a combination of country grey, paris grey and old white for the perfect oyster sort of hue.

a cocktail of emperor’s silk and emile with a splash of napoleonic blue made a nice deep raspberry-red for the lines.  a little clear soft wax, a gentle rubbing-back at the edges, and it’s ready to go.

{students at our workshops know that i am a stickler for a well-worn leg on a distressed piece.  authenticity, please, people!}


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